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80 YEARS OF SUPERMAN

Action Comics: 80 Years of Superman Deluxe Edition
By Jerry Siegel
Illustrated by
Joe Shuster
DC Comics
April 17, 2018
Comics / Science Fiction
9781401278878

Action Comics: 80 Years of Superman Deluxe Edition shows the evolution of the character created in 1933 by writer Jerry Siegel and artist Joe Shuster. They sold Superman to Detective Comics, the future DC Comics, in 1938. This book shows why Superman has maintained his appeal from generation to generation.

The book features over 19 stories and essaysincluding a forward by Paul Levitz, an introduction by Laura Siegel Larson (Jerry Siegel’s daughter) and other pieces by Jules Feiffer, Tom DeHaven, Marv Wolfman, David Hajdu, Larry Tye and Gene Luen Yang. There is also a section with cover highlights and full biographies at the end.
The comic stories include the first comic, “The Mystery of The Freight Train Robberies” to “The Super-Duel In Space,” and ending with “The Game” written in April 2018. There are also stories that explore the relationship between Lois Lane, Clark Kent, and Superman as well as some cameo appearances by some famous figures including President John F. Kennedy. Readers are treated to comics that explore the origins of Supergirl, Brainiac, the Fortress of Solitude, as well as a previously unpublished 1940s Superman tale believed to be written by Jerry Siegel with art by the Joe Shuster studio, salvaged fifty years ago and hidden away. Along with this book, people can also purchase the 1000thedition, making Superman the first comic book to reach that highlight.

Below is an interview with Larry Tye who wrote the essay in the book, Endurance.He is a journalist and author of many biographies including Bobby Kennedy, Satchel Paige, and the Man of Steel, entitled The High-Flying History of America's Most Enduring Hero.

Elise Cooper: How has Superman changed over the years regarding his appearance and the enemies he has faced, which includes politicians?

Larry Tye: Superman has evolved more than the fruit fly. In the 1930s he was just the crime fighter we needed to take on Al Capone and the robber barons. In the forties, he defended the home front while brave GIs battled overseas. Early in the Cold War he stood up taller than ever for his adopted country, while in its waning days he tried singlehandedly to eliminate nuclear stockpiles. For each era, he zeroed in on the threats that scared us most, using powers that grew or diminished depending on the need. So did his spectacles, hair style, even his job title. Each generation had the Superman it needed and deserved. Each change offered a Rorschach test of the pulse of that time and its dreams. Superman, always a beacon of light, was a work in progress.

 

Elise Cooper: What influences has Superman been on comics, movies, and TV shows?

Larry Tye: Over the years comics have been transformed – from childhood entertainment to art form to mythology – and Superman helped drive that transformation. The comic book and its leading man could only have taken root in America. What could be more U.S.A. than an orphaned outsider who arrives in this land of immigrants, reinvents himself, and reminds us that we can reach for the sky?Yet today this flying Uncle Sam is both global and multi-media in his reach, having written himself into the national folklore from Beirut to Buenos Aires. It is that constancy and purity – knowing that he is not merely the oldest of our superheroes, but the most transcendent – that has reeled back aging devotees like me and drawn in new ones like my daughter. It is what makes the Man of Tomorrow timeless as well as ageless.

 

Elise Cooper: Do you think the aviation's golden age influenced having Superman fly?

Larry Tye: I think it has less to do with what was happening in the real world of aviation than in the heads of his creators Superman was a man of the world, perennially on call and needing to dash to wherever Lois Lane and others required his help. Flying would have made that easier and would become his trademark, but it did not happen overnight in the comic books or strips. The most he could manage in 1938 was leaping an eighth of a mile and outracing an express train. Two years later, after what must have been intense training, he could vault into and beyond the stratosphere, outrace an airplane, and run a mile in a scant second. By 1942 he could run at the speed of light and outpace an electric current. But still no take-off. There were hints it was coming in a single frame of a story in May 1943, when his jump looked like he might be taking flight, and he did, finally and irrefutably, that October in Action Comics’ “Million-Dollar Marathon” story. “Let’s see ya fly!” adoring boys at Children’s Hospital yelled to Superman, and so he did, telling them, “I’ll be back for a real visit pretty soon! Up – up – and away!”

 

Elise Cooper: I noticed in the first Superman issue there was a comment, "You're not fighting a woman," and in the comic “Superman and The Teen Titans,” Wonder Girl says to him, "Nowadays us liberated ladies don't take much to being called inferior by a man." Do you think women's issues also played a role?

Larry Tye: Yes, and that was especially apparent with the launch of a comic that let women and girls see a Superman-like character created in their own image. The fellow Kryptonian who gave Superman the greatest joy, and the most sleepless nights, was his cousin Kara Zor-El, known on Earth as Supergirl. It took until 1959 to launch her as a character, when we quickly got the full story. The Maid of Steel, who would get her own comic book, gave Superman a blood relative and fellow outsider with whom he could let down his defenses. If youths of all stripes embraced Superboy, now girls had a heroine made in their own special image. And if H.G. Wells’s War of the Worlds had given aliens a bad name, Supergirl and Superman polished the image of the interplanetary interloper.

 

Elise Cooper: Can you summarize Supergirl’s story?

Larry Tye: She and all of Argo City had been hurled into the cosmos when the rest of Krypton exploded. Later, when the orbiting Argo itself was threatened, Kara’s father launched the child in a space ship headed for Earth. Save for gender, her story mirrored her famous cousin’s: she assumed the secret identity of the pigtailed Linda Lee, she had adoptive parents named Fred and Edna Danvers, she shunned her male admirers, and she had superpowers that she used to help humankind.

 

Elise Cooper: What about Lois Lane as a role model?

Larry Tye: Lois Lane was a fixture from the very start, although at first, she was mainly a foil for Superman to rescue and Clark to pine over. Action 1 set the pattern: kidnapped by three thugs, Lois was quickly whisked to safety by Superman then laughed at by her editor who, hearing her recount her unlikely adventure, inquired, “Are you sure it wasn’t pink elephants you saw?” Over time she became a role model for millions of women of all ages, and especially the thousands of young women attracted to the no-nonsense world of journalism by the no-nonsense reporter Lois, who always beat Clark to the story, even if she never quite got his quick-change alter ego.

 

Elise Cooper: What do you think was Superman’s ethnicity?

Larry Tye: With his perfect pug nose, electric blue eyes, and a boyish spit curl that suggested Anglo as well as Saxon. No hint in his sleek movie-star name, Clark Kent, which could belong only to a gentile and probably one with a lifelong membership at the country club. His social circle didn’t give it away either: Lois Lane, George Taylor, and even Lex Luthor were, like him, more Midwest mainstream than East Coast ethnic.

 

Elise Cooper: Does his background reflect any historical significance?

Larry Tye: The evidence of his ethnic origin lay elsewhere, starting with Kal-El, his Kryptonian name. El is a suffix in Judaism’s most cherished birthrights, from Isra-el to the prophets Samu-el and Dani-el. It means God. Kal is similar to the Hebrew words for voice and vessel. Like Moses. Much as the baby prophet was floated in a reed basket by a mother desperate to spare him from an Egyptian Pharaoh’s death warrant, so moments before Kal-El’s planet blew up, his doomed parents tucked him into a spaceship that rocketed him to the safety of Earth. Both babies were rescued by non-Jews and raised in foreign cultures – Moses by Pharaoh’s daughter, Kal-El by Kansas farmers named Kent – and all the adoptive parents quickly learned how exceptional their foundlings were. The narratives of Krypton’s birth and death borrowed the language of Genesis. Kal-El’s escape to Earth was the story of Exodus.

 

Elise Cooper: Where does Superman’s moral code come from?

Larry Tye: The three legs of the Superman myth – truth, justice, and the American way – are straight out of the Mishnah, the codification of Jewish oral traditions. “The world,” it reads, “endures on three things: justice, truth, and peace.” The explosion of Krypton conjures up images from the mystical Kabbalah where the divine vessel was shattered and Jews were called on to perform tikkun haolamby repairing the vessel and the world. The destruction of Kal-El’s planet and people also rings of the Nazi Holocaust that was brewing when Jerry and Joe were publishing their first comics, and it summons up as well the effort to save Jewish children through Kindertransports.Superman’s lingering heartsickness was survivor’s guilt.

 

Elise Cooper: Do you think Superman represented the immigrant population of the time?

Larry Tye: Superman had even stronger cultural ties to the faith of his founders. He was the ultimate foreigner, escaping to America from his intergalactic shtetl (a small Jewish town or village in eastern Europe)and shedding his Jewish name for Clark Kent, a pseudonym as transparently WASPish as the ones Jerry had chosen for himself. Clark and Jerry had something else in common: both were classic nebbishes. Clark and Superman lived life the way most newly-arrived Jews did, torn between their Old and New World identities and their mild exteriors and rock-solid cores. That split personality was the only way he could survive, yet it gave him perpetual angst. Jules Feiffer, an authority on cartoons and Jews, said the Last Son of Krypton was born not on Krypton but on “the planet Poland, from Lodz maybe, possibly Crakow, maybe Vilna.” The alien superhero was, more than anything, “the striving Jewish boy’s goyishe American dream.”

 

Elise Cooper: Interesting that JFK appeared to be a part of a Superman comic-why do you think that happened?

Larry Tye: By the 1960s, as the age of peaceniks and flower children gained steam, Superman’s influence had risen to the point where even the White House was laying out the red carpet. The Kennedy administration wanted the hero’s help spreading the word about its campaign to close the “muscle gap.” Superman creative director Mort Weisinger put two of his best writers on the story, which he called “Superman’s Mission for President Kennedy.” The Champion of Democracy flew across America pushing young runners to run harder, hurdlers to jump higher, and flabby journalists at the Daily Planet to do fifteen minutes a day of calisthenics. When the New York Times got wind of the preparations it scooped the comic book with an article headlined, “Superman Meets Kennedy on Vigor.” The comic story, all set to run, was pulled back when the president was assassinated in November of 1963. Shortly afterwards, Weisinger got a call from President Lyndon Johnson saying, “We’re waiting for the story. When’s it coming out?” Mort explained his worry that running it might be in bad taste, at which point, as he recalled the tale, Johnson interrupted: “Horsefeathers. You can run it with a posthumous foreword, explaining that Iordered it!” Mort did.

 

Elise Cooper: Was Kennedy in any other comics?

Larry Tye: This was not the first time President Kennedy had teamed up with Superman. In 1962, when Superman was ready to introduce his cousin Supergirl to the world he brought her to the White House to meet the President. High drama, indeed: the Camelot President on the same stage with the Sir Lancelot of comic-book heroes. Two years later Superman took Kennedy into his confidence, sharing his dual identity as Clark Kent. “If I can’t trust the President of the United States,” Superman asked, “who can I trust?” There was one other time when the name Jack Kennedy had turned up in Superman’s comic books. It was in the very first of the Superman series, in July 1939. A character named Kennedy was murdered and the newly minted Man of Steel saved a wrongly-accused man from being executed.


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