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Publisher:
Harper Collins |
Release
Date: 3 March 2003 |
ISBN:
0007105436 |
Awards:
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Format
Reviewed: Hardback |
Buy
it at Amazon US || UK |
Read
an Excerpt |
Genre:
Historical Midlist (1778, Devon, England) |
Reviewed:
2003 |
Reviewer:
Rachel A Hyde |
Reviewer
Notes: |
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Taking
Liberties
By Diana
Norman
I read
a lot of historical fiction and nearly all of it--including what
I don't actually read but am aware of--falls into four categories.
There are whodunits, romance, military and literary. How wonderful,
then, to discover a writer who falls into none of these camps, and
whose work cannot be so tidily pigeonholed. Diana Norman started
good and then got better, and her latest, the sequel to A Catch
of Consequence (also reviewed on this site) is possibly the
best yet. Over ten years after the events of the first book, Makepeace
Hedley is still happily married to Andra and living in Newcastle
with two young daughters, and runs a business that has made her
into a very rich and fiercely independent woman. But a letter from
America has her chasing down to Devon in search of her missing eldest
daughter, Philippa, where she meets a woman who seems to be her
opposite in every way. Diana, Dowager Countess Stacpoole, has just
been released from a dreadful marriage to an abusive husband by
his death and seems about to be relegated to the Dower House. But
she has also had a letter from America and soon is looking for the
son of an old friend. They are to find a common goal-to improve
the appalling conditions in which the captured American prisoners
of war are kept. But in doing this, both women are to find something
much more worthwhile than even this.
As ever, Diana Norman has the twin
themes of female independence and high adventure. These two often
seem to be mutually exclusive in most other novels, but be prepared
for a rambunctious treat that has echoes of Frenchman's Creek. Norman
even has the talent of making her goodies the most interesting characters
and the villains villainous in a believable and wholly unglamorous
manner that makes heroism interesting and desirable, as well as
worthy. This is the 18th century in all its muck and glory, but
there are many parallels with modern life too, and plenty to think
about that echoes the current world crisis. This is not a book to
read in a hurry, and with the well researched background and enjoyable
characters there is plenty to praise and the whole is very likely
to please people who don't normally read historical novels or any
other genre fiction. A classy read that isn't literary, and a novel
replete with feminism and politics wholly unlike other books of
that type
Another one to be caught reading in public and highly
(almost hugely) enjoyable.
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