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Publisher:
Century (Random House) |
Release
Date: August 2003 |
ISBN:
0712675442 |
Awards:
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Format
Reviewed: Trade Paperback |
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it at Amazon US
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Read
an Excerpt |
Genre:
Historical Crime [1852, London] |
Reviewed:
2003 |
Reviewer:
Rachel A Hyde |
Reviewer
Notes: |
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The
Fiend In Human
By
John MacLachlan Gray
John
MacLachlan Gray has swallowed a copy of Henry Mayhew's London Labor
& The London Poor for breakfast, or invested in a time machine
and gone back in time to London of 1852. The miasma of poverty and
despair in this tale of murder and journalism is almost tangible,
and pervades every page like a yellow London fog. Reporter Edmund
Whitty has coined the name "Chokee Bill" for a murderer
who strangles women with a scarf and mutilates them. One William
Ryan has been apprehended for the crimes and is awaiting execution
- but he insists that he is innocent. Also interested in his case
is Henry Owler, a balladeer who wishes to produce a pamphlet giving
a rhyming account of Ryan's confession. For this end he enlists
Edmund's help and the two become unlikely partners, combing the
worst streets of London to find the true killer before he can claim
another victim
It is the descriptions that linger
in the mind after the book has been finished, and these tend to
swamp the plot at times and almost make it take a back seat. It
isn't a difficult mystery to guess although there are various twists
that render it more intriguing. Gray's insights into mid-Victorian
society give the story its ring of authenticity, and he has truly
managed to get under the skin of both the hellish gin-comforted
existence of the very poor to the hypocritical and sybaritic lives
of the wealthy clubmen and slum landlords. At times it teeters on
the edge of literariness, and then wavers into the realm of genre
fiction but remains the sort of book that almost anybody might read,
of either sex and whether they were normally readers of historical
crime fiction or not. It is a multi-layered tale then, of man's
inhumanity to man and of a realm stranger to the well-off than Africa,
a behind-the-scenes peek into the underbelly of Victorian society
and more basically a whodunit. Something for everybody perhaps,
although the welter of description that is to be found on every
page makes it a book to read slowly, and perhaps not the choice
for someone who might fancy fast-paced crime fiction.
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