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The Prince
Devil’s Duke #4
Katharine Ashe

May 29, 2018/ ISBN 9780062641748
Romance / Historical

Reviewed by Elise Cooper


The Prince by Katharine Ashe is the last book in the “Devil Duke series.” With each new book, she outdoes herself. The latest is always better than the last. As with most of her books, she writes how nothing is what it seems to be on the surface. Both the hero and heroine hide their identity, she, her gender, and he, his background. He becomes a portrait painter so no one will know he is a prince, and she dresses up as a man, hiding the fact she is a woman. A subplot involving murdered women and grave-robbing adds to the mystery of whether the hero and heroine’s secrets will be found out.

At the heart of the novel is how Libby Shaw and Ziyaeddin Mizra, aka as Ibrahim Kent strive to save lives. He does it metaphorically, painting the real person, healing someone emotionally, while she does it literally, attempting to heal the body surgically.

She is ahead of her time, not willing to give into the social norms that forbid women from becoming doctors. To achieve her life-long dream, to become a member of Edinburgh’s all-male Royal College of Surgeons, she disguises herself as a man. To make this a reality she enlists the help of Ziyaeddin who agrees to allow her to live with him, on one condition, she must sit once a week for him to paint, but as a woman. Eventually, they both come to realize that they are the only people each feels completely comfortable with, desire, and can depend upon.

For anyone who thinks this story cannot be realistic Ashe refers them to “the biography of James Barry. A young Irishwoman, Margaret Buckley, decided in 1809 to dress as a man to study medicine in Edinburgh. This was necessary because most men in the nineteenth century Britain believed that women lacked the physical and moral nature to be physicians or surgeons. He became a physician, joined the army, and had a lifetime of being a male doctor. It was only discovered on his death bed that he had the body of a woman.”

Ziyaeddin also hides his identity, frustrated by his seventeen-year exile in Scotland. He is the deposed Prince of Tabir, a small Middle Eastern country. Forced to flee with his mother as a child after his father was killed in a coup he waits for the moment when he can return, take his rightful place on the throne, and rescue his sister. For now, he bides his time, wondering what will become of his and Libby’s relationship. Although Tabir is a fictional country, Ashe sees it as “an invention based on the realm of history. It is a small kingdom between the empires of Russia, the Ottoman Empire, and Iran. He ended up in Edinburgh because it had a port where people came together, similar to those places where he grew up.”

The story explores Obsession-Compulsive Disorder. It is written in such a way that readers feel Libby’s pain. There is an understanding of the actual effects that it has on her as a person. It comes to the forefront after Ziyaeddin leaves for London, and Libby is left alone in the house. Anytime there are sudden changes Libby has episodes of irrational behavior where she feels compelled to have everything in order and will keep doing it again and again until she gets it right. If she can't she shuts down until she can cope again. After she confides in Ziyaeddin, and he agrees to help her, she realizes he is a special person.

Libby is very smart, single-minded in her goal, compassionate, caring, thoughtful, and very determined. Ziyaeddin compliments her with his kindness, gentleness, firmness, strength, as well as his protective, nurturing, and caring ways.

Infused in the story are fascinating pieces of nineteenth-century history. This is by no means an information dump, but facts that allow the story to come alive. Ashe has the ability to make sure it does not overwhelm the plot, yet to allow readers to learn about the culture, politics, and social norms of the era.

This refreshing adventure story has a theme of friendship and respect. Ashe weaves in important topics of prejudice, racism, mental health, disability, and equality that make the plot and characters relatable.

Swept Away by a Kiss
Captured By A Rogue Lord
In The Arms of a Marquess
The Rogue (devil's duke #1)
The Earl (devil's duke #2)
The Duke (devil's duke #3)
The Prince (devil's duke #4)

Reviewed 2018